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Now we have a production-spec GFX 100 in the office, we've had a chance to re-shoot our studio scene. Having painstakingly re-shot the scene multiple times with a variety of settings, we're confident these are representative of the camera's performance. As you can see, the camera is extremely sharp and capable of resolving nearly everything in our test scene. Many of the finest targets that exhibit aliasing on the already impressive GFX 50R (shot with the same lens) are more convincingly resolve...
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